Films For Father’s Day : My take…

NPR’s Tell me more talks about films for Father’s Day…. Key ones I would put here are:

1. Breaking Away.  I’m sorry the fabulous turn by Paul Dooley as the key character’s Dad is just so memorable to me… the movie ends with yet another surprised look from him…

2. Field of Dreams…. care to have a catch?

3. The Incredibles… it always gets a little dusty in the theater at at least one point for me now during this movie now that I’m a dad.

4. Late addition – My Life – an early’ish Michael Keaton movie – one I forgot as I saw it once.  I don’t really want to see it again as it has been aptly described as a Beaches type movie for men.  Think the story of a dad documenting his life lessons a la ‘The Last Lecture’.

via Films For Father’s Day : Tell Me More : NPR.

It’s National Poetry Month…

For National Poetry Month (April), I thought I’d post a couple of poems I like a week.* This poem just gets better as I age… maybe I finally get it.

Those Winter Sundays

by Robert Hayden

Sundays too my father got up early
And put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,

Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?

via Those Winter Sundays by Robert Hayden.

*I’ve been inspired to do this as I was thrilled with how the boys at the camp out recently received a reading of ‘The Cremation of Sam McGee’ by the campfire.

 

What Is a Boy? | The Art of Manliness

From The Art of Manliness – referenced this link to an article in 1949 – my weekend with the scouts reminded me of this

What Is a Boy?

By Alan Beck

Between the innocence of babyhood and the dignity of manhood, we find a delightful creature called a boy. Boys come in assorted sizes, weights and colors, but all boys have the same creed: to enjoy every second of every minute of every hour of every day and to protest with noise (their only weapon) when their last minute is finished and the adult males pack them off to bed at night.

Boys are found everywhere—on top of, underneath, inside of, climbing on, swinging from, running around or jumping to. Mothers love them, little girls hate them, older sisters and brothers tolerate them, adults ignore them and Heaven protects them. A boy is Truth with dirt on its face, Beauty with a cut on its finger, Wisdom with bubble gum in its hair and the Hope of the future with a frog in its pocket.

When you are busy a boy is an inconsiderate, bothersome, intruding jangle of noise. When you want him to make a good impression, his brain turns to jelly or else he becomes a savage, sadistic, jungle creature bent on destroying the world and himself with it.

A boy is a composite—he has the appetite of a horse, the digestion of a sword swallower, the energy of a pocket-size atomic bomb, the curiosity of a cat, the lungs of a dictator, the imagination of a Paul Bunyan, the shyness of a violet, the audacity of a steel trap, the enthusiasm of a fire cracker, and when he makes something he has five thumbs on each hand.

He likes ice cream, knives, saws, Christmas, comic books, the boy across the street, woods, water (in its natural habitat), large animals, Dad, trains, Saturday mornings and fire engines.

He is not much for Sunday school, company, schools, books without pictures, music lessons, neckties, barbers, girls, overcoats, adults, or bedtime.

Nobody else is so early to rise or so late to supper. Nobody else gets so much fun out of trees, dogs and breezes. Nobody else can cram into one pocket-a rusty knife, a half eaten apple, three feet of string, an empty Bull Durham sack, two gum drops, six cents, a sling shot, a chunk of unknown substance and a genuine supersonic code ring with a secret compartment.

A boy is a magical creature—you can lock him out of your workshop, but you can’t lock him out of your heart. You can get him out of your study, but you can’t get him out of your mind.

Might as well give up—he is your captor, your jailer, your boss and your master–a freckled-faced, pint-sized, cat-chasing, bundle of noise.

But when you come home at night with only the shattered pieces of your hopes and dreams—he can mend them like new with the two magic words—”Hi Dad!